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Why Pinhole Photography?
It's fun. It's creative. It's educative about the basics that photographers deal with whenever they do their thing.
What is Pinhole Photography?
At its simplest, a pinhole camera is just a light tight cardboard box with a piece of aluminium pie dish containing a pinhole to expose the film or photographic paper.
Of course you need to design a shutter, (your thumb will do), some way to hold the film in place and a system to seal up the opening where you put the film in the pinhole camera.
There is no viewfinder; you just point the pinhole camera in the right direction. You can draw some lines on top of the camera to indicate the field of view.
Exposure times for pinhole photography are usually measured in minutes.
Exposure Determination.
Work out your exposure by the hit and miss method, also known as exposure determination by experimentation. This is where you say "Ooooh. I reckon about two minutes." Then if it turns out ok, well and good. But if it's not right, you either double it or halve it for the next exposure, depending on your assessment. Nothing wrong with that method for pinhole photography.
Suitable Camera Size.
Let's say you're using 4"x5" photographic paper. The diagonal of your paper is about 160mm. If you make the distance from the pinhole to the paper about 50mm to 80mm this will be ok. Length of about half the diagonal of the film. You could make the length 20mm to 50mm giving quite a wide angle. There's nothing to stop you building your pinhole camera around a four foot length of drainpipe giving you a 1200mm telephoto pinhole camera, except that the exposure time might be in the order of several hours or all day.
My best pinhole cameras have used 8"x10" film and have a length of 50mm to 70mm. Everything is in focus from 250mm to infinity. Angle of view is around 135 degrees.The light runs off at the edges of the image.
Note: 100mm = about 4"
End of Technical Stuff.
There is much more technical stuff that can be studied but that's all you really need to know to get started. So empty the breakfast cerial packet and build a pinhole camera.
Practical Stuff.
You can use pretty much anything light tight to make a pinhole camera: biscuit tin, breakfast cerial packet, 20 litre oil drum, golden syrup tin, jam tin, match box, black ice cream container etc. etc. Would you believe you can even use your mouth?
Yes, in the darkroom put a short piece of 35mm film in your mouth and close it. Go outside and press the aluminium with the pinhole firmly against your lips, then open your lips for about 10 seconds keeping your head still. Reverse the procedure. You can work out the rest for yourself.
Consider whether it will be better/easier to use the end or side of your tin/box.
If you use a jam tin you can use alfoil and a rubber band for a lid.
Use black paint inside a shiny tin if you have some handy.
Invent a shutter. Black plastic and masking tape will do.
If you decide on a jam tin or golden syrup tin with the pinhole in the side, consider using a baffle that springs tight against the sides of the tin to fasten your film too. A piece of plastic milk bottle will do.
Handy items to have around are: breakfast cerial packet, masking tape, blue tack, plastic milk bottles, rubber bands, alfoil, scissors, knife, glue.
Your pinhole camera will give a negative image on your photographic paper. In this modern, computer age it will be possible to scan, change to a positive and computer print.
An SLR camera can be used for a pinhole camera simply by removing the lens and attaching a pinhole with black sticky tape.
If you are making a pinhole, look for the smallest needle in the set.
It's important to have a smooth, burr free pinhole for the sharpest possible image. Ideally, push the tapered section of the needle through in several stages, gently removing the burr with fine wet and dry paper between actions. Rest the foil on cardboard as you push the needle through so you don't stretch the foil.
So Build a Pinhole Camera
I think that every photographer needs to build at least one pinhole camera and experiment with it. There is so much to be learned from pinhole photography which is photography at its most basic.
Laurie McArthur is a wilderness landscape photographer, based on the New South Wales Far South Coast, Australia. Laurie's images may be viewed at http://www.southimage.net/
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Darkroom $19.95 Darkroom: A Memoir in Black and White is an arresting and moving personal story about childhood, race, and identity in the American South, rendered in stunning illustrations by the author, Lila Quintero Weaver.   In 1961, when Lila was five, she and her family emigrated from Buenos Aires, Argentina, to Marion, Alabama, in the heart of Alabama’s Black Belt. As educated, middle-class Latino immigrants in a region that was defined by segregation, the Quinteros occupied a privileged vantage from which to view the racially charged culture they inhabited. Weaver and her family were firsthand witnesses to key moments in the civil rights movement.  But Darkroom is her personal story as well: chronicling what it was like being a Latina girl in the Jim Crow South, struggling to understand both a foreign country and the horrors of our nation’s race relations. Weaver, who was neither black nor white, observed very early on the inequalities in the American culture, with its blonde and blue-eyed feminine ideal. Throughout her life, Lila has struggled to find her place in this society and fought against the discrimination around her. |
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The Darkroom Cookbook $39.95 The art of darkroom developing and printing will never go out of style. Master darkroom specialist Steve Anchell is back to prove it in this long-awaited third edition of his enormously successful Darkroom Cookbook. Packed with over 200 "recipes," some common and others rare gems, you'll discover something new every time you open this guide, whether you're new to the darkroom or have been making your own prints for years. In addition to the formulas, you'll find tons of useful information on developers, push-processing, where to get darkroom equipment, how to set up your own darkroom, how to work and play in your darkroom safely, and much more. This handy guide will become a constant companion for every darkroom enthusiast creating prints at home or in the studio. In addition to complete updates throughout to reflect changes in the availability of chemicals and equipment, this third edition contains all new information on: *Reversal processing *Enlarged negatives *Pyro formulas *Plus expanded sections on printing, pyro, and toning prints Also included for the first time are special technique contributions as well as stunning black and white imagery by Bruce Barnbaum, Rod Dresser, Jay Dusard, Patrick Gainer, Richard Garrod, Henry Gilpin, Gordon Hutchings, Sandy King, Les McLean, Sa?d Nuseibeh, France Scully Osterman, Mark Osterman, Tim Rudman, Ryuijie, John Sexton, and John Wimberly. Be sure to visit www.darkroomcookbook.com to find useful links, an interactive user forum, and more! Steve Anchell is a photographer and author of The Variable Contrast Printing Manual, and co-author of The Film Developing Cookbook. He has been teaching darkroom and photography workshops since 1979. Steve is a member of the Freestyle Advisory Board of Photographic Professionals. "With its unrivalled collection of photographic formulae and easy to understand explanations of photographic processes, The Darkroom Cookbook has long been a favorite with darkroom workers everywhere. Now, with further additions to its formulary, more topics, and contributions by renowned darkroom experts, this new edition promises to be an indispensable Aladdin's Cave resource to darkroom enthusiasts of all levels." -Tim Rudman, photographer and author "The Darkroom Cookbook is an essential compendium of photographic information for anyone interested in high-quality darkroom work." -John Sexton, photographer *Packed with rare techniques for silver-based processing clearly explained by a darkroom master so you can create your own stunning prints at home or in the studio *Contains over 200 formulas - follow along step-by-step, or experiment with your own variations to develop new recipes! *Includes a brand-new chapter on analog variable contrast printing *Visit the new supplemental website to find useful links and an interactive user forum |
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The Photoshop Darkroom $39.95 The Photoshop Darkroom offers limitless possibilities for photographers looking for jaw-dropping results, using powerful and innovative creative post-processing techniques. If you want folks to ask "How did you do that?" then this is the book for you! The images in The Photoshop Darkroom will inspire you and help you unleash your creative potential. You'll learn to view your own digital photography with new eyes. Step-by-step directions show you real-world examples of how to achieve the results you want from your photography and post-processing. *Learn how to work with RAW image files *Understand the Photoshop darkroom workflow *Multi-process RAW files *Extend the dynamic range of your photographs *Create High Dynamic Range (HDR) images by hand *Create stunning black and white imagery with Photoshop *Use layers and masking for compositing *Create striking color effects using LAB color |
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DarkRoom Familia: The Darkroom Video Collection - $14.99 This release collects music video made by various acts who at one time or another were part of the Darkroom Familia. Among the dozen clips here are "Valley to the Bay," "Conspiracy Theory," "Bacardi," and "Marijuana Dreams." ~ Perry Seibert, Rovi |
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Darkroom (Paperback) $33.51 In the aftermath of her mother`s suicide, one young woman recognizes the malleability of her reality. From her adolescence in the flat, hot Floridian landscape to a tectonic Missouri adulthood, a girl shaped by grief is compelled to create and manipulate her image of the world. As her dreams become indistinguishable from daily life, she begins to question memory, identity, and the function of love. Employing photography as its central metaphor, Darkroom tackles the tangled relationship between memory and mourning by exploring an artist`s impossible attempt to re-create the object of loss. |
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Darkroom Widescreen $6.25 Rated: NRSynopsis: He was found 15 years ago wandering a road near the woods, covered in dirt and blood with no name or memory. But when this now-grown mental patient is given an experimental new drug, he suddenly begins to have horrific visions of a beast that slaughters beautiful young women. Escaping from the institution, he is befriended by a teenage outcast who needs the stranger's help to unlock a few frantic secrets of his own. Together, the two will discover the violence of their pasts, the evil in their future, and the shocking secret that waits deep inside The Darkroom. |
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The New Darkroom Handbook $52.95 The Darkroom Handbook, Second Edition, is a completely revised and updated version of a classic guide to the best design, construction, and equipment to use when setting up a darkroom. This book features ideas and money-saving tips on how to put a darkroom almost anywhere in your home or apartment. It takes you inside darkrooms of photographers around the world including those of famous photographers such as, Harry Callahan, Aaron Siskind, Berenice Abbott, and W. Eugene Smith. In addition, it contains detailed do-it-yourself plans for the most essential darkroom components, cutouts and design grids to plan that "dream" darkroom, and special sections on the color darkroom and the digital darkroom. The most comprehensive book on the darkroom. A step-by-step guide to help anyone plan and build a photo lab. Illustrated with an abundance of photos and sketches. |
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